Ebook Free The Pop Piano Book, by Mark Harrison
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The Pop Piano Book, by Mark Harrison
Ebook Free The Pop Piano Book, by Mark Harrison
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Product details
Paperback: 512 pages
Publisher: Harrison Music Education Systems; 2nd edition (May 1, 1998)
Language: English
ISBN-10: 0793598788
ISBN-13: 978-0793598786
Product Dimensions:
9 x 1.2 x 12 inches
Shipping Weight: 3.5 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
37 customer reviews
Amazon Best Sellers Rank:
#457,310 in Books (See Top 100 in Books)
Explains all concepts very thoroughly and skips nothing. It's almost belaboring in its level of attention to detail. Authentic style approaches that are immediately applicable to repertoire. It helped greatly though, and saved lots of time, to have had several years of theory, modes and scales, and experience under my belt before buying it.The book arrived promptly in perfect condition. Had it 2" spiral bound at Staples, as another reviewer suggested. Still, it's heavy and bulky; but not as unwieldy as with the original binding.
Before this book, I spent some years learning piano song-by-song, but the songs failed to get much easier to learn. This book seems to give a foundation that underlies pop playing. Right now I mainly concentrate on the "Review" section. Voiceleading is covered there, for example. I think the layout makes a lot of sense. The exercises build gradually toward greater ease at the keyboard. I probably would not have chosen this book if I had no piano experience at all. It moves along pretty fast, which works for me because I am not totally new to the material. Also I took the book to Office Depot and had them rebind it in spiral form.
This is a treasure trove of instructions for a wide variety of musical styles, including pop, funk and gospel. I am an amateur jazz piano player and take regular lessons from a well respected player in the Chicago area. His lessons are obviously my main source of information for jazz piano, but it's fun to try out other styles and to see whether I can incorporate them into my playing. Gospel piano, in particular, is of interest, both because of its history in influencing jazz, but also because of its wonderful harmonies, voicings and rhythms. This is a wonderfully entertaining and useful book for anyone interested in exploring various piano styles.
This book is very helpful.Mark Harrison takes you through several styles of piano playing.In each style he starts with a sample song. It starts simply and then builds in complexity. Then he adds variations.This book fills a void in the market for people who need to know how to approach different styles and then gives them enough material to become proficient in each of them; not just knowing a few generic licks for each one.I can't give this book 5 stars because it doesn't include a CD. There is a CD available that you can buy from the author's website but these days it's very common to include a CD with the book- especially an expensive one. Plus there's a lot of references to the CD which makes you feel like you're missing out if you don't have it. I think the author should make the files available online for free. But that's just me.I have another gripe that is really my own dilemma and I wouldn't hold it against this book: The author offers very little in the way of insight. While you have a systematic breakdown of each style there's no simple overall view of each style. He never shows you any tips or tricks to understand the style you're working on.In short, the book is like a text book.Also you should know that without the CD and spending a long time on each style you should be a pretty decent player and reader to get results from this book.I'm OK and I felt like because my chops a so so the samples became tedious.This is due to my limitations and shouldn't reflect on the author but this is not a book for beginners.
This is a fabulous book for anyone who's interested in how contemporary music works-it's basically a fun, practical, and in-depth primer on popular harmonic and rhythmic styles; it is invaluable for anyone wanting to learn sophisticated and stylistically appropriate comping techniques. As someone who has spent a lot of time composing, improvising, and exploring music on my own, I find it tremendously empowering to be learning the conventional tricks and the conceptual framework behind those tricks.My only caveat would be that it may not be the best resource for people who are true beginners or who are scared off by memorization (effective comping, it turns out, requires a tremendous amount of memorization, and the first half of the book is devoted to getting you to memorize various scales and chords in as fun and interesting a way as possible). This isn't a book for people who just want to read music, and it has little to say about technique. But if you want to understand music, and you're willing to work for it, this book gives you a tremendous number of tools. Every musician who's interested in popular styles should have a copy!
I have been playing the piano for over 13 years, mostly classical, more recently jazz and pop, but I've never been very pleased with my contemporary piano skills. Most books that teach the techniques of contemporary styles assume the reader has little or no playing background and don't progress very far beyond the basics, clearly not much help for the serious player.However, The Pop Piano Book is precisely the book I've been looking for!! This book is perfect for the intermediate or advanced player who aspires to be a master of contemporary styles. With this book you can learn how to interpret a song in numerous modern styles, and learn the subtleties that will demonstrate your total understanding and mastery of each style.The Jazz Piano Book by Mark Levine is my jazz bible, and Mark Harrison's Pop Piano Book has taken a place right beside it as my contemporary piano guide. It is phenomenal!
I have a fair amount of classical background, so I think this book will be helpful eventually, but he takes a very technical approach to his subject. The first ten chapters are a grueling review of pop harmony. I don't thnk you would be able to understand it unless you'd already studied music theory. Applying these concepts to on the spot realizations will probably be easier once I've plowed through the endless exercises, but this book is not for the dillatant.
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