Get Free Ebook , by Paul Karasik Mark Newgarden
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, by Paul Karasik Mark Newgarden
Get Free Ebook , by Paul Karasik Mark Newgarden
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Product details
File Size: 304002 KB
Print Length: 276 pages
Publisher: Fantagraphics (October 10, 2017)
Publication Date: November 1, 2017
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B06XRMWWRW
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Amazon Best Sellers Rank:
#280,531 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Let’s a get few things out of the way first. This is easily one of the most brilliant books about comics, a comics character, that character’s history – and the aesthetics of comics on the whole – ever written. And that’s saying something because there are many good books about those subjects – including the central subject herself.When I was a kid, the Nancy comic strip was always good for quick laugh – and nothing more was thought of it. By the late 60s, early 70s Nancy was considered (among the Marvel zombies, my underground comix reading pals and other aspiring cartoonists I was hanging out with) the squarest of the square. As the author’s note, even execs at its syndicator called it “The comic strip everyone loved to hateâ€. There were rumors that Bushmiller didn’t even draw it anymore – that he had 60 rubber stamps of Nancy and Sluggo in various poses which were used to quickly produce the daily panels. It was an early 1980s evening spent in the company of alternative cartoonist Jerry Moriatry (“Jack Survivesâ€) that changed my mind – as he began to explain to me his POV on Bushmiller and Nancy, raising my consciousness and forcing me to reevaluate the strip.I soon realized I wasn’t alone. Appreciating Nancy, studying its gags and structure, was what any serious student of comic art did. Eventually well-curated reprint books of Ernie Bushmiller’s greatest strips began appearing from publishers of the likes of Kitchen Sink and Fantagraphics. The first of these, Brian Walker’s The Best of Ernie Bushmiller’s Nancy (Henry Holt, 1988), contained Mark Newgarden and Paul Karasik’s original essay on “How To Read Nancy†– and that article has been expanded upon to create this masterpiece of a book.On the one hand, this is an analysis of a single strip, broken down into 44 steps that dissect why Nancy works as pure comics. On the other hand, the book is the history of Ernie Bushmiller, his art, his comic strips and his philosophy (“The gag is the thingâ€). On the third hand, it’s a collection of some of best of Nancy (over 160 strips are reprinted throughout and especially in its last 40 pages). The book is bursting with rare illustrations and lost photographs – and like Bushmiller’s work itself, each image has a purpose; to illustrate a point, to educate or to tell the story of Bushmiller’s incredible career.Appendices that further breakdown the gags, feature Nancy memorabilia and celebrate Bushmiller ephemera abound. Ahh, what a treasure trove of material. This is the real deal – not light reading, but a college course on one man, one gag and of the comic strip medium itself. Did I mention it has a Foreword by the late comic genius Jerry Lewis and an introduction by art historian James Elkins? What are you waiting for – A garden hose? Order this book now!
This book amazed me in so many ways. I'm not a comics fanatic, but I used to read them every single day as a kid. And the first one I always read was Nancy. She just jumped off the page at you and invited you to read her with big block letters. And Karasik and Newgarden's fabulous book taught me that Bushmiller intended that. He wanted his to be the first strip you read, and the graphic design and clean, simple layout of the strip drew your eye to it and made that happen.This is just one of a zillion facts about Nancy, Sluggo and Ernie that will fascinate and draw you into this dense, incredibly well-researched work. The dozens of Nancy and Fritzi Ritz strips included will keep you laughing as you learn and marvel about their production. Highly, highly recommended for even the casual fan of Nancy and the funnies, or for anyone who appreciates great craftsmanship. This book both explains and follows Bushmiller's example.
As a kid, Nancy helped me learn to read, but she also helped me learn to think and see more clearly. Mark Newgarden and Paul Karasik enhance thinking, seeing, understanding to a sublime degree in this important new book. Taking three panels of one strip, they lay bare the genius of the comic strip, as exemplified by Ernie Bushmiller's Nancy. The book is a delight to read, beginning with the most detailed, authoritative and pleasure-to-read biography of Bushmiller, to the deconstruction of the comic strip, breaking down the three panels and studying each element, providing a Context, Text and Moral for each. The Appendix is rich and enormous, and could be a text unto itself, it's so good. This volume is hard to describe here with any kind of concise eloquence, but trust me, it is irresistible and important. This is a brilliant, clever, funny, and inspirational text, and will give you a much deeper understanding of visual humor - what works and why. To say nothing of a whole lot of Nancy! Highly recommended.
Three rocks. Three points to make about this magnificent work:1) It’s a magnificent work! It’s a must for anyone who loves comics, whether you’re a fan, a practitioner of the art, or both.2) James Joyce said, «I always write about Dublin, because if I can get to the heart of Dublin I can get to the heart of all the cities of the world. In the particular is contained the universal.» In a similar fashion, authors Karasik and Newgarden devote 88 pages of this book (in 44 lessons) to one single Nancy daily strip, painstakingly and entertainingly getting to the heart of it and thence to the heart of basic, universal comics form. Having read heaps of scholarly books and articles about comics for the past 45 years, I don’t believe I ever came across such a wise, well wrought and witty dissertation on the subject until now.3) However, those 44 lessons on the one strip merely constitute the meat in this tasty sandwich, or should I say smorgasbord. You also get a fascinating introduction about the life and times of Ernie Bushmiller, giving the reader a thorough history lesson of the technicalities and politics of the comic strip in the 20th century, as well as several rich appendixes of Nancy strips to restate all the «morals» of the lessons, as well as providing laffs galore. (For all their intellectual heavyweight, the authors never forget to keep it Plonsky.)One to keep and to reread and reread.
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