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Pride and Prejudice: The Story Grid Edition
Get Free Ebook Pride and Prejudice: The Story Grid Edition
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About the Author
Shawn Coyne is a twenty-five year book-publishing veteran. During his years as an editor at the Big Five publishing houses, as an independent publisher, as a literary agent both at a major Hollywood talent agency and as head of Genre Management Inc., as a ghostwriter, and as a bestselling co-writer (The Ones Who Hit The Hardest with Chad Millman), Coyne created a methodology called The Story Grid to teach the editing craft.
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Product details
Paperback: 448 pages
Publisher: Black Irish Entertainment LLC; Annotated edition edition (April 3, 2017)
Language: English
ISBN-10: 1936891522
ISBN-13: 978-1936891528
Product Dimensions:
6 x 1.1 x 9 inches
Shipping Weight: 1.3 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#438,453 in Books (See Top 100 in Books)
OK, non-5-star folks, consider this: Shawn Coyne gives us the keys to the castle in "The Story Grid" and now he shows us how a great writer builds a castle. No matter what we think of the way he's done this in this particular instance, ya gotta be thinking like I am right now that this is gold—pure gold.The thing with The Story Grid is that you get to see inside the head of a great editor. But that's hard to do. I'm just finishing my third time through TSG and now it's really clicking. What I need more of are examples of how Shawn thinks through an SG mindset. And, voila! Here we have it. It's clear to me that we're going to get a ton of these—a classic in a genre annotated by a master editor. Nothing could be a better accompaniment to the brilliance in TSG.
Excellent. Explains complex matters simply, meticulously and generously. Combines theory of world literature with a practical writing workshop. Coyne used his encyclopedic knowledge of literature to create a practical textbook for writers. I do not think Coyne's goal was to make you into a writer-philosopher, like Leo Tolstoy, but you'll definitely learn the craft of Tolstoy if you read the book closely. The anatomy of writing is all there. If you have a single original thought in your head and Coyne's books in hand, you have everything you need to write.Written by an intelligent writer, the book might prove too difficult for people with no background in literature at all. However, if you have even a little bit of training and willingness to learn, this is better than most writing programs. P.S. My mother says that anybody who could not appreciate Coyne's earlier book, The Story Grid, should not be writing.
Want to know how to break your story down and figure out what works? This is an excellent practice guide. Better than that, it's the best reference I've ever read on the love story genre. No need to reinvent the wheel when you can spend your time innovating it. Pair this book with all the other resources at storygrid.com and you're on your way to bestseller quality in your work. With this book, you'll learn how to tell a better story.
This book is an amazing gift, probably as close as you could come to sitting with a primo editor and talking through his perspective on the book, without actually talking with him. I had read Coyne's The Story Grid but was struggling to apply it to a book other than his example book, Silenceof the Lambs. This book made it completely clear.
The story is a classic, but the story grid helps show how the story flows and is constructed. Look forward to the next one.
Great detail in deconstructing the novel so one can see "behind the curtain" of how the scenes, chapters, characters come together for a satisfying read. Very helpful to an aspiring writer.
Shawn does a great job analyzing this classic and fitting it into his storygrid process. Looking forward to him doing Dracula.
Having read Coyne's theory of analysis: _The Story Grid_, I was eager to see it applied to such a well-known and favorite work.What I found was that Coyne's "Grid" analysis of P&P is awkward, forced, and less helpful than one would hope for the amount of time expended.Moreover, Coyne's parenthetical comments on the text are often amiss, demonstrating more wish to conform the text to his theories, than to understand it.While scene-centered analysis is undoubtedly a boon to writers, this effort is best used as a foil for critical thinking and one's own conclusions.Considering that I would also use a different rubric for analysis, I'm not sure why I have this even two stars.Must be Austen's magic touch and my own penchant for analysis. ;)
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