Download Genius, Isolated: The Life and Art of Alex Toth, by Bruce Canwell
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Genius, Isolated: The Life and Art of Alex Toth, by Bruce Canwell
Download Genius, Isolated: The Life and Art of Alex Toth, by Bruce Canwell
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Review
"What Mullaney and Canwell have done here is nothing short of wonderful. They've presented a well chosen selection of the first full decade of Toth's career, arguably his most creative period, in a beautifully designed volume that conveys the artist's evolution - an astonishingly brief transition that happened in barely five years - from talented beginner to absolute master." —Howard Chaykin, The Los Angeles Review of Books
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About the Author
Born in New York City in 1928, Alex Toth attended what is now the School of Visual Arts and broke into the comic book field as a teenager. During his sixty-year professional career, he became known as the "artists' artist"—he became very much like his great hero, Noel Sickles—the guy all the others wanted to draw like. In the 1960s he entered the animation field and became equally well-known and respected for his groundbreaking designs for Space Ghost and The Herculoids, among other series.
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Product details
Series: Alex Toth
Hardcover: 328 pages
Publisher: IDW Publishing (May 10, 2011)
Language: English
ISBN-10: 9781600108280
ISBN-13: 978-1600108280
ASIN: 1600108288
Product Dimensions:
9.7 x 1.5 x 13.1 inches
Shipping Weight: 5.3 pounds (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
15 customer reviews
Amazon Best Sellers Rank:
#1,192,731 in Books (See Top 100 in Books)
This is a wonderful book--beautifully produced, thoroughly researched and smartly edited. Even a quick perusal of this volume (first of a planned three part collection, this one goes up to 1962) reveals why Toth was often called "the artist's artist"--and a quick reading also reveals why he was called a number of less flattering names by editors, as the well-written biography makes it abundantly clear Toth's passion for his work often put him cross-wise with those he felt were not producing work up to his high standard.Of particular interest in this volume are several examples of Toth's romance comics work which are truly a revelation. Never one to simply hack it out, Toth obviously threw himself into the genre, producing some mini-masterpieces.This is not by any means simply a collection of stories by Toth. There are several complete stories included, but the editors wisely used this format judiciously and uses the space to give us a sample of many more Toth takes on characters and genres. (These appetizers have moved me to re-acquire Toth's Zorro work as well as add the upcoming volume collecting Toth's Standard Comics work to my wishlist.)I eagerly await Volumes II and III!
Of the numerous comic book and newspaper artist retrospectives I've read or own, this is probably my favorite. And that includes the author's Eisner Award winning book on Noel Sickles. This hefty Alex Toth volume is as good...if not better. And what can you say about Toth? No one's comic book pages ever looked like this. The numerous examples in the book are just wonderful....especially in this over-sized format.Many of Toth's more famous colleagues considered him a genius. I completely agree with them. If you are a fan of great comic book artwork, clear off your coffee table and order this book.
Alex Toth's artwork has always been especially a favorite of mine. When I was animating on Super Friends I use to keep copies of the story boards done by Toth because they were so much better then anyone else who was boarding on the show. I believe his artwork can still be inspirational to artist today both in and out of animation. If love comics if you love the action adventure animation of the 1960's and 1970's then you should have this book in your collection.
Great concept! This type of project should be done for all of the great artists. Lots of good insights and brimming with Toth art!
For any fan of illustration, animation or comic art, this is a must buy. I've found IDW publications hit (the recent Jeffrey Jones retrospective) or miss (such as the poorly produced Noel Sickles book in which the binding falls apart). In this case, IDW hit the bulls eye with a lavish, oversized, well constructed book detailing the life and work of Alex Toth. Plenty of pencils, drafts, colors, background material to give real insight into his genius. No question this book will become a collector's item and definitie source on Toth.
This is everything you'd want in a book about the first half of Alex Toth's remarkable career: giant, lunchtray-sized pages, pristine reproductions (often from originals), generous art samples (both the rare and the celebrated are well represented), thorough research (including much input from Toth's colleagues and family), and superb design (bold but tasteful, perfectly balancing content and whitespace; countless smart, attractive choices). I'd guess the art pages make up over half the book, along with relevant spot illos throughout; a fine balance of artwork and info. Even if you have all of the Toth books and reprints of the past three decades, there's plenty here to warrant buying this -- at least, if you're interested in Toth's pre-'60s career. (His later comics -- where his skills reached their apex -- will apparently be covered in the next volume.) Twitter has been abuzz with praise from comics pros since the day this book debuted, for good reason.Some minor quibbles:An index would have been helpful. It's tough to flip through a tome this size in search of a half-remembered reference to this person or that job without an index.A timeline would also clarify things. The narrative necessarily jumps around a bit, following different threads, so a chronological list of key events would have helped readers keep it all straight. When and how many times did Toth move between California and New York? Etc.The authors include many irrelevant details. They forgo a thorough list of Toth's influences, skipping undersung greats like Emil Gershwin, but about other influences they include details irrelevant to Toth's development. Do we need to know that Herbert Stoops's father was Presbyterian, or that Ludwig Hohlwein was born in Wiesbaden, or the names and nationalities of Keith Henderson's early studiomates? The life of writer Kim Aamodt is also covered in some detail, but we're never told which of his stories Toth illustrated -- useful info, given Toth's admiration for Aamodt's writing. And why so much about the men behind Cambria Studios? Etc.It's strange that the identities of two of Toth's wives, and the dates of those marriages, remain a mystery. The book assures us that "dedicated research" was made in vain, but I can't help but think the L.A. or Santa Clara County recorders' offices would have SOMEthing on file. These ladies may still be around and full of interesting memories.I was disappointed to see a combined 32 pages devoted to Zorro and 77 Sunset Strip. The former is readily available in previous reprints, and the latter is among Toth's least enthusiastic Dell offerings. And do we really need yet another entire reprint of The Crushed Gardenia?But again, minor quibbles. This book deserves an award.
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